Reviews thus far have not been favourable for this charming little play. As a result, impressionable young things may be tempted to give it a miss, but to do so would be very foolish indeed.
Opening with male butler, Jessica, and his violin, One Set to Love somewhat lurches to a comedic start, with cabaret-esque musings set to fiercely emotive music. These initial changes in pace are confusing at first, almost an assault on the senses, but engaging nevertheless.
However, matters do settle down, and we are welcomed into the story of an intriguing love triangle. Kenneth, Georgie and Lady Anna are our main protagonists here in early 30’s England. Much of what follows concerns surreal wit and black comedy, all ably performed by our two solitary actors.
Indeed, it is the performance of these two actors upon which the whole play rests. The sparse set and unintentional comedic flashback scenes are a hindrance, but the energy and comic timing on display more than compensate.
Ignore what you may have already heard, ‘One Set to Love’ is as warm and engaging as you could hope to take in at the Fringe.
4/5
Phil Owens
