In 1812 The Brother’s Grimm published their first collection of fairy tales, to massive appeal and acclaim. It’s incredible to think that these stories are still told, virtually unchanged to our children. The appeal lies in their ability to dance between wish fulfilment and the darkest of human nature.
Little Red is a re-imagining of the world of fairy tales, but those hoping for something along the lines of Angela Carter’s beautiful and mesmerising The Bloody Chamber will be woefully disappointed.
Despite its warning that this is not suitable for children, this is a production that never manages to shock or become the nasty tale you expect it to be. Instead it is a sombre story dealing with such themes as getting old and abandonment and why the tale of Little Red is so important to an old lady going senile in her old age.
Adam Z Robinson has created a touching tale about family secrets and lies that is tender but delivered in a style that remains underwhelming throughout. It’s a fascinating production but one that is hard to take to your heart hindered by slowly unravelling plot and largely unlikeable characters.
Well performed by all, this is a sober piece that has the potential to be much, much more.
2/5 
Martin Miller
