Back from last year’s fantastic production, ‘Sammy J and the forest of dreams’, Sammy J brings us a nostalgic view of the 1990s.

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Every Fringe, Edinburgh fills with plays, comedy, musicals, children’s shows etc, and every year, we get some circus-like performances, where it is all about acrobatics and jaw-dropping stunts.

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When it comes to audiences behaving badly, Fringe comedians fall into two specific categories, the ones that thrive on it, gamely abandoning their material in order to string together a frantic new routine and the tones who simply implode.

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Don Juan is a womaniser. He sleeps around, spends all his money, has no care for who cares for him, and therefore, has no friends either.

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It is never easy to translate a big Broadway musical to a small Fringe audience, home-made sets and minimum budgets.

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When he was last at the Fringe, in 2007, Tom Basden won the if.Comedy Newcomer Award, and with good reason. If there is any justice, he should be winning (or at least be nominated for) the if.Comedy award itself this year.

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Lois is your average everyday superhero- Extraordinary Girl, living her life as best she can since the “accident” that turned her, along with her team (Inconceivable Girl, Mr Amazing, The Wonderment and Fabulous Man) into a superhero.

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Fact: there has never been a more inventive, clever and creepy adaptation of Sweeney Todd before.

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It is a pity when you see talent on stage, but the material they are working with is just not good enough.

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Even though his shows are frequently sold out, as Jon Richardson comes on stage he starts by worrying about the comfort of his audience in a room that’s too hot.

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