Wait Until Dark

Wait until Dark by Frederick Knott (Dial M for Murder) is most famously known as the chilling 1967 film adaptation that garnered Audrey Hepburn nominations for both an Academy Award and a Golden Globe.
Set in a claustrophobic basement flat in London, blind-woman Susy Hendrix (compellingly played by Charlotte Mulliner) is shocked by the charges of adultery and murder that are suddenly brought against her husband after he leaves for Brighton. She suspects something is amiss with the police investigation and, along with her young neighbour Gloria; attempts to unravel the mystery behind the accusations.
As the title suggests, the climax of the play comes when the flat is plunged into total darkness due to Susy’s craftiness. This technique helps to create an atmosphere of intense suspense that relies entirely on strong vocal performances which are well delivered.
In the original play the premise of the plot is revealed to the audience before the action begins. This Oxford production however, has decided to omit this and, in doing so, creates a veritable thriller. The lack of explanation however, means the audience can’t miss a beat and the scenes entirely in the dark can be a little confusing.
One of the more conventional pieces of theatre at the festival, Wait until Dark offers something interesting and captivating that is accessible to everyone despite being a little over-complicated in places.

4/5

Emily Carson