Welcome to another cabaret show at the Fringe. Except with no ukelele, no burlesque, no shame and no limits. This show will suck you in, devour your soul and give you a happy ending on the house.
The performers can be in the audience, the punters on the stage. You won’t know when the glorious terror of one of the cast will descend upon you. This show plays with your perceptions and twangs the elastic of your tenous link to reality. The use of modern gadgets and projection onto people, not screens, is very art-driven but it is performance here that counts.
Scottee bedazzles as MC and with rogue accomplices Myra Dubois & Miss Annabel Sings, they keep things twisting and turning, completely at ease and in charge of themselves, their interactions well-rounded, caustic and never forced. Masumi Tipsy is the Japanese doll and Spencer Wood as Scottee’s whipping boy, who self-harms during the show in an act of extreme alium abuse. Daniel Somerville is very odd and should be watched intently.
EYHO is a performance collective (they’re not that pretentious in real life) based in London who take the boundaries of theatre and taste, chuck them in the blender, down them back with a bottle of supermarket gin, throw up and abandon it on the doorstep like an unwanted baby.
It’s not just cabaret, it’s a rite of passage. Original, hilarious and gruesome post-futuristic-pre-retro cabaret on plant food and on twitter.
5/5 
Zander Bruce
(8 votes, average: 4.00 out of 5)
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