Written in Roman times, Ovid’s epic poem The Metamorphoses deals with man’s connection with nature and the universe. These myths explain, in a romanticised and fanciful manner, our understanding of evolution, human relations, life and death – all the big questions and wonders of our own existence. What Pants on Fire theatre has done is shift the narrative to WWII Britain, and in doing so they have brought to life an amazing treat for the senses. Visually, it is inventive, stunningly devised and expertly executed, with the best stage and props usage ever seen.
The whole show relies upon seven gifted actors, who play different characters throughout the play, and who are sublime in everything they do. Jo Dockery’s Juno commands the stage whenever she’s on, while Jonathan Davenport’s Jupiter exudes all the charm and sexiness of a powerful god. Alex Packer and Hannah Pierce’s interpretation of the Tiresias myth is comically fantastic, as is Mabel Jones’ cute Cupid. Eloise Secker’s Daphne is beautifully rendered, while Joseph Mann’s Narcissus myth is stunningly retold, clearly demonstrating why Narcissus would fall in love with himself.
These characters are just the tip of the iceberg when it comes to these actors’ talents, though: constantly on the move, they sing and dance, recite and act all the different stories, never losing the overall tone of the production nor the attention of an enthralled audience.
‘Ovid’s Metamorphoses’ is perfect. It is an absolute must-see at this year’s Fringe and a shining example of what great theatre is. We can’t wait to see what else they have in store for the future.
5/5 
Adrian G. Velazquez
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