Mr Benn is your average, ordinary, man, living an ordinary life, in his ordinary house, with an ordinary job… But then, on an ordinary day, an extraordinary thing happens: he receives an invitation to a fancy dress party.
Mr Benn is your average, ordinary, man, living an ordinary life, in his ordinary house, with an ordinary job… But then, on an ordinary day, an extraordinary thing happens: he receives an invitation to a fancy dress party.
A musical about loving people not despite their flaws but because of them, ‘I Love You Because’ is a sweet tale of losing and finding love in New York.
Austin and Marcy are all wrong for each other, but they are learning that it is this which makes them perfect for each other.
As the audience enters the theatre, they are warned that ‘Sweet Charity’ contains strobe lighting and full-frontal nudity: the chat in the queue suggests they’ve also been warned that this show is a must-see because it’s awful.
Following previous award-winning shows, Tim Key returns with a curious, hit and miss blend of poetry, music, film-clips, stand-up and audience interaction.
The audience is full of gay men and larger groups of women giggling in anticipation of what is promised by the title of the show.
Intrigued by this message on the back of a second hand postcard from 1910, Francesca Millican-Slater becomes a “historical stalker”, obsessed by finding out the identity of the woman it was sent to.
Coming dangerously close to breaking a substantial level of client confidentiality, Private Eye writer and still practising G.P Dr Phil Hammond is here at the Fringe to bring a gloriously entertaining mix of politics and true life recollections.
This is an intimate affair playing to an audience of approximately 15 people at any time. We enter a room and take a seat along one of the walls- the centre of the room is set up as if it were a one bedroom bedsit, complete with sink, fridge, bed and dining table.
In theory at least, this show is the perfect piece for the attention-deficit fast-paced times in which we live – it takes the ‘Guardian’ newspaper columns of Craig Taylor which describe miniature fictional encounters between ordinary folk all around Britain and dramatises them.
This is not a run of the mill comedy show, but then again, this is not a run of the mill comedian: Smallman tells this tale through society’s views on his tattoos.




(5.00 out of 5)



(5.00 out of 5)



(5.00 out of 5)



(5.00 out of 5)



(5.00 out of 5)