‘I love you, you’re perfect, now change’ has been brought again and again to the Fringe with different cast and slight changes.

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Having a very large selection of shows to choose from in the city centre, it is hard to convince oneself to make the journey to St Ninian’s Hall, almost 20 minutes by bus away or £7 by taxi.

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Standing ovation for the beginning. If only one could do standing ovations so early in a play. The 3 first minutes are perfectly delivered when the couple relay their relationships problems in the perfect image of today’s telepathic youngsters who do not seem to find it necessary to finish a single sentence.

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Jacklyn Bassanelli enters the stage barefoot and gets on top of a table where she strikes a few poses under the on-and-off direct focus light.

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‘Gentlemen…’ Jane Austen, aka Rebecca Vaughan, starts with to an audience where men are a clear minority… ‘We certainly do not forget you as soon as you forget us. It is, perhaps, our fate rather than our merit. We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us’.

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