As the audience take their seats, three figures in flowing white costumes stand among them, using vocals and instruments to set the haunting tone.

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‘Flamenco for Kids’ is led by Ricardo Garcia, who plays the guitar, and two dancers. All three have a pleasant manner with the children, breaking down the movements and rhythms in an accessible way for the young audience to understand.

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Dance Doctor, Dance! is an interactive talk about the psychology of dance, covering topics such as the emotion in dance and what a person’s dance style reveals about him or her.

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The Wau Wau Sisters’ Last Supper is a superb sacrilegious spectacle from start to finish, from audience members receiving a communion wafer on entering the supper room, to a Last Supper scene as the finale

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Paul Sinha has been called a racist. By a racist. He seeks to redress this, and a few other labels, in his show “Extreme Anti-White Vitriol.”

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Venezuela Viva tells some of the history of Venezuela through music and dance. It is beautiful to watch and the band is fantastic.

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Brazilian Fever fails to live up to its hype, which promises “a euphoric Brazilian carnival atmosphere”.

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I have to admit that I have never seen Hardeep Singh Kohli on television but I thought that his comedy-come-cookery show sounded interesting and I was intrigued to see how it would work on stage. It didn’t.

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Mercy Madonna of Malawi is an upbeat, yet thought-provoking, musical based on Madonna’s recent adoption of a 4 year old Malawian girl, Mercy James.

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This show is amazing! The Creole Choir of Cuba is every bit as good as the better known Soweto Gospel Choir so their tag line of “The Latin Soweto” is entirely justified.

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