This year, the fresh-faced members of the No Shoes Theatre group tackle the challenging genre of the improvised musical. With a variety of such shows at this year’s Fringe, the standard is high and the competition is fierce.

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In the Pink, hailing from Oxford University, are an enthusiastic, bubbly bunch of young women with plenty of talent to boot. Opening the show with a mash-up of Lady Gaga’s ‘Just Dance and Journey’s ‘Don’t Stop Believing‘, their repertoire is sure to please Gleeks and any other fans of the vocal harmony craze that has recently swept the nation.

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A unique show among those at this year’s festival, The Neon Bible Project is a dramatic interpretation of Neon Bible, the second album by the indie-rock group Arcade Fire.

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On this, the second in a series of four events celebrating the Clarsach, in the charming church of St. Andrew’s and St. George’s West, the sound of distant bagpipes approaching rouses the audience and provides a fantastic taste of the enchanting musical evening ahead.

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The second in a series of three events, the intimate surroundings of Medina play host to three Scottish acts on this Tuesday evening.

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If you thought beat boxing was just for the young and frivolous, think again. Beardyman is here to bring Fringe goers an intelligent, funny, show unlike anything else at this year’s festival.

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From the word go, Fair Trade attempts to entertain and inform: unfortunately this proves to be its undoing. Firstly, however, hats off to Emma Thompson for bringing to the forefront a piece of theatre which raises the important issue of sex trafficking, and its very real presence in the UK.

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On entering the Beyond Theatre at the Pleasance, you are hit by a sort of electricity in the air – a combination of the high-energy pop tunes accompanying you to your seat, and the knowledge that preparing somewhere backstage is the hyperactive comedic genius that is Russell Kane.

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