Celebrating the 200th anniversary of the birth of Frédéric Chopin, David Wilde returns to Edinburgh, performing a complete recital of Chopin’s incredible music in an enchanting and acoustically perfect venue – St Mary’s Cathedral
Celebrating the 200th anniversary of the birth of Frédéric Chopin, David Wilde returns to Edinburgh, performing a complete recital of Chopin’s incredible music in an enchanting and acoustically perfect venue – St Mary’s Cathedral
Packed in like sardines in a brine of coffee, croissants and bardy goodness, the audience waits with excitement and anticipation of another performance from one of the long reining monarchs of the early morning Fringe festival; Shakespeare for Breakfast.
Not shy of controversial ideas and unique performances, Club Noir has teamed up with Scottish Opera to produce a new and different twist on its usual one-night-only burlesque show at Fringe 2010.
It seems that 2010 is the year of the Cabaret and the Edinburgh Fringe has hundreds of options for the most select connoisseur. But how do you predict which shows will produce the most entertaining and wonder-lustful evening?
If you think plastic dog poo is a brilliant invention and can’t help but giggle at the thought of a whoopee cushion, then this show is definitely for you.
A clever storyline with a multilayer plot, Swing! provides you with an insight into the lives of the residents of a suburban street and the scandalous happenings surrounding the Under 16 Tennis Championship.
he stage is set, the energy is high and the band is ready to swing. Every member of the audience sits with baited breath awaiting the arrival of the stars of the show – Dean Martin, Sammy Davis Junior and Frank Sinatra.
Packed into a small tin shed like sardines in a brine of comedic anticipation (and a little perspiration) you eagerly await the arrival of Mr Wigglesworth; a self-described cross between Peter Crouch and Postman Pat.
A history lesson wouldn’t usually be a reputable source of entertainment for most people, but education should not be sniffed at.
A great play but just a good production, ‘Guys and Dolls Junior’ fails to convey the coy charm and magnificent pizzazz of the original musical that opened on Broadway in November 1950.




(5.00 out of 5)



(5.00 out of 5)



(5.00 out of 5)



(5.00 out of 5)



(5.00 out of 5)