Mike Keat astounds as Miguel Mantovani, the ringleader of this seedy yet adorable quartet. The character is one of an aging ex-porn star who finds an extension to his infamy through becoming a club owner, on-stage performer and singer.

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Andrew O’Neill is a gender spastic metalhead. As well as funny, clever and one of the nicest blokes you will ever meet.

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A very lively and enthusiastic sketch show, the LNGF gives us a chance to observe some of the finest and hottest young comedic talent at the Fringe this year.

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From the moment Mark Thomas steps on the stage he holds the audience in his thrall. Highly polished, eloquent, irreverent, expletive and thoroughly persuasive, Mark weaves together the three main plot lines of this show into a unique event.

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Equal parts therapy, cabaret and art instillation, Bourgeois & Maurice’s Social Work is a glimpse into a glamorous dark mirror universe.

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In a society where we no longer know who’s living next door, Dixie Longate has come to gather lost souls together in the name of unique and durable airtight kitchen products, whilst making a modest living along the way and provide for herself and her three children, of course.

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Lords & Ladies, Pratchett’s 14th story set on the Discworld, centres around the Lancre Witches’ return from Foreign Parts, discovering signs of younger Witches with Ideas, Crop Circles and an imminent Elven Invasion. Pratchett plays are often imagined to guarantee success, especially following the popularity of the Sky One adaptations of Colour of Magic and Hogfather in recent years.

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Part of the Fringe For A Fiver, this offering from GSOH showcases young new talent. Its poster pays homage to the 80s bratpack film The Breakfast Club, and oddly enough, this works.

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