Xavier Mortimer brings to the Fringe one of the most original performances this year, with its blend of magic, mime and digital media to create a cabaret with endless potential.

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We were promised earnest social responses and little known mysteries that unravelled greater insight into a world beside trees.

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Richard de Domenici is one of those compulsively subversive types. Not the Molitov-throwing anarchist type of subversive but the “what the hell is that guy doing?” performance artist type.

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Stylishly anachronistic with its contemporary interpretation of chivalry, the Matter of Britain is given a breath of new life as King Arthur contemplates imposing democracy on his successor.

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Flamenco is traditionally a dance of passion that can often be quite serious, so it is with great delight that Malaje turns out to be a passion-filled riot instead.

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