Words like brilliant and incredible tend to get handed out like sweeties when it comes to reviews of the Fringe, but ‘Beautiful Burnout’ is genuinely so brilliant and incredible that few shows can compete against it.

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This is a welcome return to the Fringe for The Terrible Infants, a quintet of entertainingly grotesque tales that will delight adult and children alike. Each is delivered with the fantastic attention to detail and professionalism we’ve come to expect from Les Enfants Terribles Theatre Company.

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A deliciously dark slice of gothic horror, Ernest and the Pale Moon is a twisted tale of obsession, guilt, murder and madness from Les Enfants Terribles Theatre Company.

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Rachel Rose Reid is a professional story teller and she blew away the competition last year with a late night gem of a show that was one of the highlights of the Festival.

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One of the most packed venues at this years festival for its size by far, The Late Night Gimp Fight quintet explode into view from a collection of laundry bags leading to the first laugh of the evening.

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The George Santayana quote comes to mind when assessing Matt Green’s outlook in Bleeding Funny: that “those who do not remember their past are condemned to repeat their mistakes”.

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The Hub is an enjoyable feel good comedy which follows four voice over artists and a nerdy technician as they sit in a recording booth waiting to takes their turn.

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Three years after their last double act (which, it must be mentioned, got them a Perrier Best Newcomer nomination in 2005), Toulson and Harvey are back at the Fringe.

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Teatime television’s most cherished asset accepts an invitation to return to the Fringe, choosing to share stories from one to one conversations he’s had during a distinguished education and career in broadcasting and politics.

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Nathan Caton is a pleasant surprise. Starting with messages from his family and friends on his answer phone, he invites us into his world before he even enters the room.

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