If you like off-the-wall humour then the comedy duo of Steve McNeil and Sam Pamphilon is for you.

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A boy is sitting on a ledge – is he going to jump? And if so, why? A tabloid journalist wants to know all the important questions before Danny goes for it and takes the plunge.

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Andrew Bird doesn’t care anymore if he is liked or not. He has spent all his life trying to be accepted by all, mainly since he feels he has nothing to give, being your average white, straight male Brit.

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Firman’s show may be advertised as a mere magic show, but he manages the difficult task of allying that with comedy. The combination can actually be vaguely confusing at times, for the audience sometimes is not entirely sure whether they should focus their attention on the jokes or the tricks – which are both excellent.

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It is no secret the Edinburgh Fringe can be a frantic experience as people tear along the High Street doing their utmost to avoid eye contact with performers desperate for them to take their flyers.

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John and Ollie are a multi-instrumental double act, who supposedly have been slowly getting cabin fever as they drink and bed as many women as possible on the QMII cruise ship.

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From the minute Zane enters on stage an atmosphere of excited energy descends on the crowd and he skips from one side to the other addressing members of the front row.

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Not content with bringing two hit shows (‘The Terrible Infants’ and ‘Ernest and the Pale Moon’) back to the 2010 Fringe, Les Enfants Terribles theatre has also brought their newest production, The Vaudevillains, for a one night only performance – and it is spectacular.

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Written in Roman times, Ovid’s epic poem The Metamorphoses deals with man’s connection with nature and the universe. These myths explain, in a romanticised and fanciful manner, our understanding of evolution, human relations, life and death – all the big questions and wonders of our own existence.

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From the word go, Fair Trade attempts to entertain and inform: unfortunately this proves to be its undoing. Firstly, however, hats off to Emma Thompson for bringing to the forefront a piece of theatre which raises the important issue of sex trafficking, and its very real presence in the UK.

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