Making Strange are a production company that despite still being relatively in its infancy, in just 4 years have made some big creative splashes, including the award winning ‘Hedwig and the Angry Inch’ and ‘Revisions’.
Making Strange are a production company that despite still being relatively in its infancy, in just 4 years have made some big creative splashes, including the award winning ‘Hedwig and the Angry Inch’ and ‘Revisions’.
There has been a recent resurgence in the popularity of ventriloquists, what with Terry Fator winning America’s Got Talent.
Back from last year’s fantastic production, ‘Sammy J and the forest of dreams’, Sammy J brings us a nostalgic view of the 1990s.
When it comes to audiences behaving badly, Fringe comedians fall into two specific categories, the ones that thrive on it, gamely abandoning their material in order to string together a frantic new routine and the tones who simply implode.
There are nearly three thousand shows at this year’s Edinburgh Fringe but there is exactly one show this year that in its final moments will leave you terrified out of your wits, and that is ‘The Bone House’.
Geraldine Quinn is one angry woman- and with just cause. Voicing with vitriol the fears of certain women everywhere, hers is a backlash show against the embarrassing realisation that the most influential female-led piece of TV entertainment in recent popular culture is a show depicting modern women, despite being successful, attractive and intelligent in their own right, as wishing nothing more than a husband and 2.4 children as they are not truly fulfilled otherwise.
Three actors put on this entertaining small-stage show on a shoestring budget. Innovatively scripted, ‘The Grandee Way’ centers around nasty nightclub “hostess” Martini and her horrendously mistreated other half Paul, who are running a failing, grubby bar into the ground.
Three characters, the cocky and patriotic Tommy, his girlfriend the school pupil Edie and their flatmate Chloe all sit patiently; eagerly awaiting their delivery of heroin to arrive, in a scene that you could be forgiven for thinking was ripped straight from the pages of ‘Requiem for a Dream’.
The Dog Eared collective presents their latest creation, The Apocalypse Roadshow, a delightfully bonkers and charming sketch show involving four characters who volunteer at ni-nightline, a phone service that helps people with the end of the world.
There is a common misconception that, in order to win the attention of a rowdy or distracted audience, you must raise your voice and talk louder; when, in fact, the opposite is true – to be heard, you must lower your voice to a whisper, bringing the audience to your level.




(5 out of 5)



(5 out of 5)



(5 out of 5)



(5 out of 5)



(5 out of 5)